Yi Nian You Yi Nian 一年又一年 Year After Year Lyrics 歌詞 With Pinyin By Deng Li Jun 邓丽君 Teresa Teng

Yi Nian You Yi Nian 一年又一年 Year After Year Lyrics 歌詞 With Pinyin By Deng Li Jun 邓丽君 Teresa Teng

Chinese Song Name: Yi Nian You Yi Nian 一年又一年
English Tranlation Name: Year After Year
Chinese Singer:  Deng Li Jun 邓丽君 Teresa Teng
Chinese Composer:  Yao Min 姚敏
Chinese Lyrics:  Chen Die Yi 陈蝶衣

Yi Nian You Yi Nian 一年又一年 Year After Year Lyrics 歌詞 With Pinyin By Deng Li Jun 邓丽君 Teresa Teng

Learn Chinese Time From This Chinese Song Lyrics:

wǒ men bìng fēi xiāng féng zài yǎn qián 
我 们  并   非  相    逢   在  眼  前   
We did not meet before our eyes
wǒ liǎng yě céng záo wǎn cháng xiāng jiàn 
我 俩    也 曾   早  晚  常    相    见   
We used to see each other morning and evening
wèi le shén me zǒng shì 
为  了 什   么 总   是  
Why is always
jiàn yí miàn tóu yì diǎn 
见   一 面   头  一 点   
First thing in the morning
jiù zhè yàng yì nián yòu yì nián 
就  这  样   一 年   又  一 年   
And so it goes on for years and years
wǒ men bìng fēi xiāng féng zài yǎn qián 
我 们  并   非  相    逢   在  眼  前   
We did not meet before our eyes
wǒ liǎng yě céng záo wǎn cháng xiāng jiàn 
我 俩    也 曾   早  晚  常    相    见   
We used to see each other morning and evening
wèi le shén me zǒng shì 
为  了 什   么 总   是  
Why is always
jiàn yí miàn tóu yì diǎn 
见   一 面   头  一 点   
First thing in the morning
bù néng gòu qíng yì liǎng chán mián 
不 能   够  情   意 两    缠   绵  
Not enough affection two entanglements
xīn lǐ fēn míng shì cháng guà niàn 
心  里 分  明   是  长    挂  念   
In the mind is a long hanging thought
wǒ yǒu huà yào shuō yī biàn 
我 有  话  要  说   一 遍   
I have something to say again
zhǐ pà shuō chū lái yě wǎng rán 
只  怕 说   出  来  也 枉   然  
Only afraid to say out also waste
zhǐ néng gòu bǎ huà ér yān 
只  能   够  把 话  儿 咽  
Just enough to swallow
wǒ men bìng fēi xiāng féng zài yǎn qián 
我 们  并   非  相    逢   在  眼  前   
We did not meet before our eyes
wǒ liǎng yě céng záo wǎn cháng xiāng jiàn 
我 俩    也 曾   早  晚  常    相    见   
We used to see each other morning and evening
wèi le shén me zǒng shì 
为  了 什   么 总   是  
Why is always
jiàn yí miàn tóu yì diǎn 
见   一 面   头  一 点   
First thing in the morning
bù néng gòu qíng yì liǎng chán mián 
不 能   够  情   意 两    缠   绵  
Not enough affection two entanglements
xīn lǐ fēn míng shì cháng guà niàn 
心  里 分  明   是  长    挂  念   
In the mind is a long hanging thought
wǒ yǒu huà yào shuō yī biàn 
我 有  话  要  说   一 遍   
I have something to say again
zhǐ pà shuō chū lái yě wǎng rán 
只  怕 说   出  来  也 枉   然  
Only afraid to say out also waste
zhǐ néng gòu bǎ huà ér yān 
只  能   够  把 话  儿 咽  
Just enough to swallow
wǒ men bìng fēi xiāng féng zài yǎn qián 
我 们  并   非  相    逢   在  眼  前   
We did not meet before our eyes
wǒ liǎng yě céng záo wǎn cháng xiāng jiàn 
我 俩    也 曾   早  晚  常    相    见   
We used to see each other morning and evening
wèi le shén me zǒng shì 
为  了 什   么 总   是  
Why is always
jiàn yí miàn tóu yì diǎn 
见   一 面   头  一 点   
First thing in the morning
jiù zhè yàng yì nián yòu yì nián 
就  这  样   一 年   又  一 年   
And so it goes on for years and years

Some Great Reviews About Yi Nian You Yi Nian 一年又一年 Year After Year

Listener 1: "Year after year" is a song performed by Teresa Teng. It was included in the first episode of Teresa teng's song fengyang flower drum on vinyl in 1967. The 14-year-old Teresa teng covers the mandarin song fengyang flower drum (fengyang flower drum, September 1967, Taiwan universe album). Teresa Teng's music combines eastern and Western musical elements, fuses national characteristics with popularity, and creates her own singing style, which has influenced many famous singers of later generations. The breathy voice is an important singing characteristic of Teresa Teng. On this basis, she has formed a unique delicate and subtle vibrato and a characteristic sniffle."

Listener 2: "She draws on the pronunciation process of Chinese folk songs and operas that pay attention to the words, rhyme and voice, and is good at using appoggion, Boeing, glide and other embellishing techniques to express the different flavor of the songs, forming a euphemistic and touching, fresh and bright, beautiful and fluent singing style with national characteristics. Her voice is gentle, mellow, delicate but not broken toughness, broad vocal range (Yao Feng, Pan Anbang, Cao Junhong comments), singing the natural transition of each sound area, coherent and unified voice, almost no trace of breathing. Teng strives for perfection in mastering the melody and rhythm of different songs, carving the timbour, comparing the strength and releasing the emotion. Even if it is a small turn, she always handles it carefully and appropriately."

Listener 3: "It's been another year since I loved your song. I hope more friends will share it…"

Listener 4: "Teresa Teng is the first internationally influential Singer in the Mando-pop world, and her appearance reflects the gentle and gentle characteristics of traditional Chinese women. She represented a voice of free creation, and pop songs began to be truly free creations from a non-political, non-traditional nature. Teresa Teng's music represents a high level of Asian pop music from the mid-1970s to the 1980s. Her music undoubtedly played an enlightening role in the early development of pop music in mainland China."

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