Chinese Song Name: Xin Suan Suan 心酸酸
English Tranlation Name: Deep Sad Depression
Chinese Singer: Deng Li Jun 邓丽君 Teresa Teng
Chinese Composer: Yao Zan Fu 姚赞福
Chinese Lyrics: Chen Da Ru 陈达儒
Xin Suan Suan 心酸酸 Deep Sad Depression Lyrics 歌詞 With Pinyin By Deng Li Jun 邓丽君 Teresa Teng
Learn Chinese Time From This Chinese Song Lyrics：
wǒ jūn lí kāi qiān lǐ yuǎn
我 君 离 开 千 里 远
I'm a thousand miles away
fàng ruǎn gū dān shǒu jiā mén
放 阮 孤 单 守 家 门
Fang Ruan keeps the house alone
wèi shí wèi kǔn jiǎo shóu ruǎn
未 食 未 捆 脚 手 软
Feet and hands are soft without food or tie
míng rì sī jūn xīn suān suān
瞑 日 思 君 心 酸 酸
Ming is on your heart acid acid
wú yí yí qù wú dǎo fǎn
无 疑 一 去 无 倒 返
No doubt once gone, no return
gū fù qīng chūn míng rì cháng
辜 负 青 春 瞑 日 长
The spring is long
lián xiě pī xìn shà lái duàn
连 写 批 信 煞 来 断
Even write a letter to break
hū ruǎn děng xīn suān suān
乎 阮 等 心 酸 酸
Ruan heart acid acid
yì shí biàn xīn wèi àn suàn
一 时 变 心 未 按 算
A change of heart did not count
qiū fēng cǎn dàn cǎo mù cháng
秋 风 惨 淡 草 木 长
Autumn wind miserable light grass and wood long
fēng lěng qíng lěng shì wú yāng
风 冷 情 冷 是 无 秧
The wind is cold, the cold is no seedlings
guāng jǐng yǐn ruǎn xīn suān suān
光 景 引 阮 心 酸 酸
The scene caused Ruan's heart to sour
Some Great Reviews About Xin Suan Suan 心酸酸
Listener 1: "1971" diu diu copper "album or children's voice, wen wan, such as soft water already 10 years later, seeps into the heart lungs, sometimes really glad to live in the present, even if she is not in, her voice will be retained forever, recommend to listen to your" diu diu copper "album in 1971, in 1980 the hokkien gold album album, contrast between the two s, is the gift of life, thank you!"
Listener2: "fall in love with Teresa teng, just listen to her song has enough, but if go to know more about Teresa teng's life and stories, is even more icing on the cake. Countless biographies and memories are constantly let Teresa teng imagine sublimation. Teresa teng have enough attractive as a singer, but more important or Teresa teng as a gentle strong good and intelligent woman, is to let people sigh a beauty memory in water."
Listener 3: "Teresa Teng, as a good singer, first talk about her singing skills. Teresa Teng's singing ability is not her strong point if it is compared with the volume of her voice, but if it is controlled by the atmosphere of Tao, then it is not an exaggeration to say that the whole Chinese music industry is not its best. The scariest part of her singing is that it's very light breathing. You have to listen very carefully to hear the sound. Because I like her songs, I feel uncomfortable listening to other singers and hearing obvious breathing sounds. I recommend you to listen to Teresa Teng in her late years, 1991, in Japan. Her song "As Time Goes by" (the Japanese version of "I Only Care about You", which was originally sung in Japanese and she was the original), and the connection of the next sentence in the second chorus corresponding to the Chinese version of "It is not a pity to lose the power of life", is really horrible. Her singing ability from the Chinese mainland, Hong Kong and Taiwan area to The Japanese music circles are very positive evaluation of her. Otherwise, she would not be entitled to compete with Kishi Hosokawa, Japan's "iron lung" singer, for the "Best Singing Award for Japanese records". For those of you who love to talk about her range, listen to her cover of the Japanese song "Fruit of a True Summer" (not the Chinese one, don't get me wrong), and you'll know that Teresa Teng's high notes aren't unattainable. Besides, Teresa Teng's songs sound easy, which would be hard to sing. The breath-controlled stability can only be described as terrifying, such as "Ship Song" at a concert in NHK, Japan. Besides, her trills and turns are also great. This has to do with the way she developed singing and singing in Japan. Japanese singers can be said to be at the height of their powers in both areas, especially in tremolo. Teresa Teng borrowed this kind of singing into her works, so if you pay attention to the treatment of her ending, I'm afraid it is really difficult to achieve the street shot, the stability and intonation of the trill is like her. This is most obvious when listening to her Live in Japan during the 1980s development period. "
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