Chinese Song Name: Jie Ai Qian Sui Da Ren De Chu Lian 结爱千岁大人的初恋
English Tranlation Name: The First Love Of A Chitose
Chinese Singer: Lai Hong Gen 赖鸿根
Chinese Composer: Xing Huo Qi Qi 星火齐齐
Chinese Lyrics: Xing Huo Qi Qi 星火齐齐
Jie Ai Qian Sui Da Ren De Chu Lian 结爱千岁大人的初恋 The First Love Of A Chitose Lyrics 歌詞 With Pinyin By Lai Hong Gen 赖鸿根
Learn Chinese Time From This Chinese Song Lyrics：
zǒng xiǎng yí jiào néng shuì dào zì rán xǐng
总 想 一 觉 能 睡 到 自 然 醒
I always want to sleep until I wake up
zhè zhǒng xiáng fǎ sì hū yóu diǎn duō qíng
这 种 想 法 似 乎 有 点 多 情
This idea seems a little sentimental
bèi lǎo mā tiáo zhěng hǎo de nào líng
被 老 妈 调 整 好 的 闹 铃
The alarm set by old mama
zǒng zài měi mèng shí bú jìn rén qíng
总 在 美 梦 时 不 近 人 情
Always in the United States when the dream is not close to love
shū bāo shén me shí hou néng biàn dé qīng
书 包 什 么 时 候 能 变 得 轻
The book bag can be made lighter in time
óu ěr tú tú yā lái fàng sōng xīn qíng
偶 尔 涂 涂 鸦 来 放 松 心 情
I paint crows to relax my heart
jìn lái dù fǔ hǎo xiàng hěn liú xíng
近 来 杜 甫 好 像 很 流 行
Du Fu seems to be very popular these days
zhēn xiǎng qù tà qīng tīng ting huáng lí míng
真 想 去 踏 青 听 听 黄 鹂 鸣
I really want to go to the green to listen to the oriole singing
nài hé shí guāng ā bù děng rén
奈 何 时 光 啊 不 等 人
Don't wait for the light
tōu bú dào yí gè hǎo mèng
偷 不 到 一 个 好 梦
You can't steal a good dream
bú yào lái wèn wǒ zuò yè yǒu duō shǎo
不 要 来 问 我 作 业 有 多 少
Don't ask me how much Work I have
qiě tīng ting yè wǎn bǐ jiān shā shā shēng
且 听 听 夜 晚 笔 尖 沙 沙 声
And listen to the sound of sand at the end of the night
nài hé shí guāng ā bù děng rén
奈 何 时 光 啊 不 等 人
Don't wait for the light
jiè bú dào yì lǚ chūn fēng
借 不 到 一 缕 春 风
We cannot borrow a wisp of spring wind
dà rén dōu shuō bù néng huī huò qīng chūn
大 人 都 说 不 能 挥 霍 青 春
Big people say can't wield Huo Qingchun
kě wǒ yào zěn yàng cái néng liú zhù chén hūn
可 我 要 怎 样 才 能 留 住 晨 昏
But how can I stay in the morning faint
zǒng xiǎng yí jiào néng shuì dào zì rán xǐng
总 想 一 觉 能 睡 到 自 然 醒
I always want to sleep until I wake up
zhè zhǒng xiáng fǎ sì hū yóu diǎn duō qíng
这 种 想 法 似 乎 有 点 多 情
This idea seems a little sentimental
bèi lǎo mā tiáo zhěng hǎo de nào líng
被 老 妈 调 整 好 的 闹 铃
The alarm set by old mama
zǒng zài měi mèng shí bú jìn rén qíng
总 在 美 梦 时 不 近 人 情
Always in the United States when the dream is not close to love
shū bāo shén me shí hou néng biàn dé qīng
书 包 什 么 时 候 能 变 得 轻
The book bag can be made lighter in time
óu ěr tú tú yā lái fàng sōng xīn qíng
偶 尔 涂 涂 鸦 来 放 松 心 情
I paint crows to relax my heart
jìn lái dù fǔ hǎo xiàng hěn liú xíng
近 来 杜 甫 好 像 很 流 行
Du Fu seems to be very popular these days
zhēn xiǎng qù tà qīng tīng ting huáng lí míng
真 想 去 踏 青 听 听 黄 鹂 鸣
I really want to go to the green to listen to the oriole singing
nài hé shí guāng ā bù děng rén
奈 何 时 光 啊 不 等 人
Don't wait for the light
tōu bú dào yí gè hǎo mèng
偷 不 到 一 个 好 梦
You can't steal a good dream
bú yào lái wèn wǒ zuò yè yǒu duō shǎo
不 要 来 问 我 作 业 有 多 少
Don't ask me how much Work I have
qiě tīng ting yè wǎn bǐ jiān shā shā shēng
且 听 听 夜 晚 笔 尖 沙 沙 声
And listen to the sound of sand at the end of the night
nài hé shí guāng ā bù děng rén
奈 何 时 光 啊 不 等 人
Don't wait for the light
jiè bú dào yì lǚ chūn fēng
借 不 到 一 缕 春 风
We cannot borrow a wisp of spring wind
dà rén dōu shuō bù néng huī huò qīng chūn
大 人 都 说 不 能 挥 霍 青 春
Big people say can't wield Huo Qingchun
kě wǒ yào zěn yàng cái néng liú zhù chén hūn
可 我 要 怎 样 才 能 留 住 晨 昏
But how can I stay in the morning faint
nài hé shí guāng ā bù děng rén
奈 何 时 光 啊 不 等 人
Don't wait for the light
tōu bú dào yí gè hǎo mèng
偷 不 到 一 个 好 梦
You can't steal a good dream
bú yào lái wèn wǒ zuò yè yǒu duō shǎo
不 要 来 问 我 作 业 有 多 少
Don't ask me how much Work I have
qiě tīng ting yè wǎn bǐ jiān shā shā shēng
且 听 听 夜 晚 笔 尖 沙 沙 声
And listen to the sound of sand at the end of the night
nài hé shí guāng ā bù děng rén
奈 何 时 光 啊 不 等 人
Don't wait for the light
jiè bú dào yì lǚ chūn fēng
借 不 到 一 缕 春 风
We cannot borrow a wisp of spring wind
dà rén dōu shuō bù néng huī huò qīng chūn
大 人 都 说 不 能 挥 霍 青 春
Big people say can't wield Huo Qingchun
kě wǒ yào zěn yàng cái néng liú zhù chén hūn
可 我 要 怎 样 才 能 留 住 晨 昏
But how can I stay in the morning faint
Some Great Reviews About Jie Ai Qian Sui Da Ren De Chu Lian 结爱千岁大人的初恋
Listener 1: "If a person is at home, do not take a nap at noon until six or seven, waiting for you to open your eyes and see the hazy dark sky. Looking at the empty room, there is a sense of being abandoned by the whole world, and loneliness is reflected in that moment."
Listener 2: "When reading a book, I always quietly tighten the cup of the girl I love, and then she will open it for her when she is helpless. Years later, when I met her on the street, she was married. She said, I knew you were the one who tightened the glass, and I cooperated. My heart a surprised, an acid eye way: that why don't you say…… She slightly sad lost said: fool you look so ugly, reading so bad, let you practice your strength, so that in the future when moving bricks, also behind others."
Listener 3: "One step away is a world famous song, the ultimate representative of Argentine tango. Carlos Gardel composed the music. Since its birth in 1935, it has been selected as the interlude in many films. I wanted to find out why, so I listened to it over and over again and compared it to other tangos. Other tango is tango style, from beginning to end and one step away to hear soft, beautiful, elegant violin, suddenly to join the piano, fresh fast bright timbre, powerful keystroke piano show obvious characteristics of tango, then turn voice is weak, and the gentle sound of the violin, then stronger again, to join the piano sound powerful keystroke, repeated three times, finally ended up with the violin gently voice. Therefore, the formation of hardness and softness, cadence characteristics. It gives me the feeling that the violin is elegant and elegant timbre, just like the first entrance is a graceful and elegant dance step, skirt flying girl. And the piano, bright and bright, with a powerful keystroke, was like a handsome young man dancing quickly and forcefully to a girl. Playing the violin, piano and organ together is like dancing with a partner. Then the strength of the music dwindled to the sound of the violin, just like a girl who refuses to welcome and avoids her male companion, and suddenly joins in the sound of the powerful keys of the piano again. The waning violin at the end of the piece makes you feel like you're dancing the dance, but you're not enjoying it at the end, just one step short of it."
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